This play works best when performed with a minimum of 6 actors (3W, 3M) and a maximum of 19. It can be done with 5 actors, (3W, 2M) but will require an alternate script with voice-overs introducing the talent show acts in order to allow enough time for costume changes in certain places.
SENIOR LIVING was first read for the public on March 11, 2019 at the Cherry Lane Theatre, where it was directed by Judith Ivey. The cast was comprised of Paul Deboy (Paddy, Steve, Lou), Zach Grenier (Alan, Richard, Brobson, Man), Mary Beth Peil (Lily, Carol, Ellen), Erika Rolfsrud (Susan, Harriet, Edith, Woman), Debra Jo Rupp (Lynn, Alice Angelina), Susan Slatin (Denise, Shirley, Mary), and David Wohl (Robert, Joe, Morty). Antonio Fermin accompanied on piano, Denise Yaney was the stage manager, and Greg Clary read stage directions. Angelina Fiordellisi was the artistic director.*Note: This reading included several characters that were later cut and/or combined with existing characters.
The professional premiere production of SENIOR LIVING was produced by Portland Stage Company (Anita Stewart, Executive & Artistic Director) in Portland, Maine, opening on January 28, 2022. It was directed by Judith Ivey; the assistant director was Meredith Healy; the set design was by David Goldstein; the lighting design was by SeifAllah Salotto-Cristobal; the costume design was by Vanessa Leuck; the sound design was by John ‘JoMo’ Morrison; the prop mistress was Meg Anderson; the wigs were designed by Bobbie Zlotnik; the stage manager was Meg Lydon. The cast: Cynthia Barnett,Grace Bauer,Beth Glover,Steve Vinovich,David Wohl and John Morrison.
Grammy nominated songwriter, Tor Hyams, and veteran Broadway performer, Lisa St. Lou (The Producers) offer a unique blend of comedy and heart through musicals, plays and screenwriting. The duo makes big musical comedy stage shows, intimate dramatic plays, and teleplays that are simultaneously funny and gut-wrenching. Original works include Stealing Time, a story about a woman struggling to reclaim her power after years in an emotionally abusive marriage (premiered at York Musical Theater Festival 2012 and has been further developed by Emerging Artists Theatre, The Pitch at the Finger Lakes Musical Theatre Festival and at Goodspeed Opera House by way of the Johnny Mercer Writers Colony), The Skylight Room, a story about asking for help through the lens of physical illness, with actor/writer, John Cariani, a political satire musical revue called the 1st Annual Trump Family Special, which had an off-Broadway run at the Triad Theater, How We Do: Back in the Day, a family musical about belonging and race, based on the real-life experience of Backstreet Boy, Howie D (work-shopped at the New Victory Theater in ... [FULL BIO]